Insights on the Sideline Reporter Position Sideline reporting is all about immediacy, access, and story. A good sideline reporter enhances the broadcast by capturing what camera and play-by-play announcers can’t see from above. Below is a great example of a good sideline reporter interview where the analyst uses some of the insights listed below.
Insights on the Color Analyst Position The color commentator’s job is to elevate the viewer’s understanding of the game. This role is all about explaining the why behind the what - and doing it in a way that’s insightful, engaging, and timely. Below is a great example of an open to a college football
Insights on the Play-by-Play Position A great play-by-play announcer helps the audience see the game through their words. You’re the eyes for listeners, the pace-setter for the broadcast, and the narrator of every big moment. Below is a great example of an open to a college football broadcast. Study it, mute it, then use
Preparing for a Broadcast as On-Air Talent Game preparation is one of the biggest differences between amateur and professional broadcasters. The more you know going in, the more confident and polished you’ll sound. Here’s how to prepare like a pro - even if you’re just getting started. 1. Start with Research -Learn the names,
Play-by-Play (PxP) The play-by-play announcer is the primary narrator of the game. Their job is to describe exactly what’s happening on the field, court, or rink - as it happens. Responsibilities include: -Describe the action quickly and clearly. -Identify players, movements, scores, and changes in possession. -Maintain energy and pacing throughout the broadcast. Color
Audio Mixer Basics Audio mixers are an essential part of any broadcast production. An audio mixer is used to combine multiple audio sources and create the soundtrack that accompanies every live broadcast. While there are many manufacturers and models of audio mixer, they all have the same basic functions. In this article we will
Switcher Basics A video switcher is a device that is the core of a live production environment. Every video signal must pass through the switcher before it reaches air. It is also capable of creating complex multi-source video compositions. In this article, we will go over the anatomy of the switcher and the basics
*PLEASE READ BOTH THE “Identifying Cables” AND “Building a Broadcast Booth” ARTICLES PRIOR TO THIS ARTICLE* A2 personnel are the backbone of audio production on any given shoot. Whether it is a single person or a team, this position is key for any audio to get on the air and sound clean. In this
There are 4 common styles of tripods you will see in broadcastStudio TripodThis is the most common style of tripod you will see out in the field.Comes with two arms for attaching zoom and focus controls.Features great stability and offers one or two stages for extending the legs.The plate attaches to the camera and then
Common Troubleshooting Tools Pop Monitor These Pop monitors can test multiple types of video from different sources such as SDI and Fiber. Triax Tester This handy little tool checks to see if power and video flow through a triax cable by attach a piece to each end of a cable. Q-Box A Q-Box is
