*PLEASE READ BOTH THE “Identifying Cables” AND “Building a Broadcast Booth” ARTICLES PRIOR TO THIS ARTICLE* A2 personnel are the backbone of audio production on any given shoot. Whether it is a single person or a team, this position is key for any audio to get on the air and sound clean. In this
There are 4 common styles of tripods you will see in broadcast 1. Studio Tripod This is the most common style of tripod you will see out in the field. Comes with two arms for attaching zoom and focus controls. Features great stability and offers one or two stages for extending the legs. The
Common Troubleshooting Tools Pop Monitor These Pop monitors can test multiple types of video from different sources such as SDI and Fiber. Triax Tester This handy little tool checks to see if power and video flow through a triax cable by attach a piece to each end of a cable. Q-Box A Q-Box is
ENG Shoot Incredibly simple but practical for shooting short segments. Aspects of a ENG Shoot: ENG = "Electronic News Gathering" Collecting raw and unedited video. Usually storing video onto a card or broadcasting through a wireless medium. One man camera crew. Best used for interviews and color shots. Video and Audio is edited in
Running cables properly for a live broadcast production is crucial to ensure a smooth and uninterrupted transmission of audio and video signals. Here are some steps to follow to run cables properly: Plan the cable routes: Before you start running cables, plan the routes carefully. Consider the location of the cameras, microphones, and other
Effective time management is essential for freelancers in broadcast television, as they often work on tight deadlines and with multiple clients. Here are some tips for managing time effectively: Create a schedule: Make a detailed schedule for each day, with specific times blocked out for each task/gig. This can help you stay on track
Weatherproofing broadcast television equipment is important when filming in outdoor or inclement weather conditions to protect the equipment from damage and ensure the safety of the crew. Here are some steps to properly weatherproof broadcast television equipment: Use protective cases: Use protective cases and covers to protect cameras, microphones, and other equipment from moisture,
How to read a Vector Scope and Waveform Monitor Understanding how to read a waveform monitor and a vector scope is the first step in being able to effectively shade cameras on a live production. Waveform monitors and vector scopes are essential tools for video professionals to ensure that their content meets technical standards
