ENG ShootIncredibly simple but practical for shooting short quick segments.Aspects of a ENG Shoot:ENG = "Electronic News Gathering"Collecting raw and unedited video.Usually storing video onto a card or broadcasting through a wireless medium.One man camera crew.Best used for interviews and color shots.Video and Audio is edited in post production.Simple "On the Fly" Shoots.Camera operator is
Running cables properly for a live broadcast production is crucial to ensure a smooth and uninterrupted transmission of audio and video signals. Here are some steps to follow to run cables properly: Plan the cable routes: Before you start running cables, plan the routes carefully. Consider the location of the cameras, microphones, and other
Effective time management is essential for freelancers in broadcast television, as they often work on tight deadlines and with multiple clients. Here are some tips for managing time effectively: Create a schedule: Make a detailed schedule for each day, with specific times blocked out for each task/gig. This can help you stay on track and
Weatherproofing broadcast television equipment is important when filming in outdoor or inclement weather conditions to protect the equipment from damage and ensure the safety of the crew. Here are some steps to properly weatherproof broadcast television equipment: Use protective cases: Use protective cases and covers to protect cameras, microphones, and other equipment from moisture, dust,
How to read a Vector Scope and Waveform Monitor Understanding how to read a waveform monitor and a vector scope is the first step in being able to effectively shade cameras on a live production. Waveform monitors and vector scopes are essential tools for video professionals to ensure that their content meets technical standards
How to Troubleshoot a Broadcast System Learning how to efficiently troubleshoot is an especially useful skill to have when you are working in a live production environment. It is important to use your time efficiently when on site before a show, especially since there is a hard deadline for you to have your equipment
Camera 1 - Race Follow Positioned even with the start/finish line. Responsible for keeping all swimmers in frame, while prioritizing the lead 2 or 3 racers. Also responsible for getting the start when all the racers dive into the pool. After the race, will push in to the winner for celebration. Camera 2 -
Camera 1 - Game Follow Wide shot that will keep between around 35% of the ice in frame. A wide shot that will provide general coverage of the gameplay. Camera 2 - Tight Follow Tight head-to-toe shot of the player with the puck and 1-2 closest defenders. Will follow the player at fault after a
