Switcher Basics A video switcher is a device that is the core of a live production environment. Every video signal must pass through the switcher before it reaches air. It is also capable of creating complex multi-source video compositions. In this article, we will go over the anatomy of the switcher and the basics
*PLEASE READ BOTH THE “Identifying Cables” AND “Building a Broadcast Booth” ARTICLES PRIOR TO THIS ARTICLE* A2 personnel are the backbone of audio production on any given shoot. Whether it is a single person or a team, this position is key for any audio to get on the air and sound clean. In this
Common Troubleshooting Tools Pop Monitor These Pop monitors can test multiple types of video from different sources such as SDI and Fiber. Triax Tester This handy little tool checks to see if power and video flow through a triax cable by attach a piece to each end of a cable. Q-Box A Q-Box is
Running cables properly for a live broadcast production is crucial to ensure a smooth and uninterrupted transmission of audio and video signals. Here are some steps to follow to run cables properly: Plan the cable routes: Before you start running cables, plan the routes carefully. Consider the location of the cameras, microphones, and other
How to read a Vector Scope and Waveform Monitor Understanding how to read a waveform monitor and a vector scope is the first step in being able to effectively shade cameras on a live production. Waveform monitors and vector scopes are essential tools for video professionals to ensure that their content meets technical standards
How to Troubleshoot a Broadcast System Learning how to efficiently troubleshoot is an especially useful skill to have when you are working in a live production environment. It is important to use your time efficiently when on site before a show, especially since there is a hard deadline for you to have your equipment
When lighting an interview, there are several rules to follow that will help make your interview look the best possible. Over the course of this article, I will go over how to light an interview to get a consistently good result. Keep in mind that this should just be a starting point and that
Throughout your career, you may be asked to conduct a “Site Survey” ahead of a live production. When scouting a location, there are many questions that need to be answered, or you risk failure on the day of the show. Step 1: Determining Truck Placement The first thing that needs to be answered is
While building a booth will vary based on your situation and location, here is a standard set-up when it comes to your sports audio booth. Steps to build a broadcast booth: Gather supplies Connect to boxes Connect to talkback Connect to headset Dress mult cable Plug mic cables into mult box Plug in IFB
