Running cables properly for a live broadcast production is crucial to ensure a smooth and uninterrupted transmission of audio and video signals. Here are some steps to follow to run cables properly: Plan the cable routes: Before you start running cables, plan the routes carefully. Consider the location of the cameras, microphones, and other
Camera 1 - Race Follow Positioned even with the start/finish line. Responsible for keeping all swimmers in frame, while prioritizing the lead 2 or 3 racers. Also responsible for getting the start when all the racers dive into the pool. After the race, will push in to the winner for celebration. Camera 2 -
Camera 1 - Game Follow Wide shot that will keep between around 35% of the ice in frame. A wide shot that will provide general coverage of the gameplay. Camera 2 - Tight Follow Tight head-to-toe shot of the player with the puck and 1-2 closest defenders. Will follow the player at fault after a
Throughout your career, you may be asked to conduct a “Site Survey” ahead of a live production. When scouting a location, there are many questions that need to be answered, or you risk failure on the day of the show. Step 1: Determining Truck Placement The first thing that needs to be answered is
Camera 1 - Game Follow Wide shot that will keep approximately ½ to ⅔ of the court in frame. A wide shot that will provide general coverage of the gameplay. Camera 2 - Tight Follow Tight head-to-toe shot of the player serving the ball. During action, will follow the action as the ball goes
Camera 1 - Third Base Responsibilities are extremely situational. If it is a left handed batter, will get a close up of the batter before the pitch. Once the ball is pitched, will typically follow the batter as he rounds the bases. If it is a right handed batter, responsible for following the lead
Program feed In the YouTube link below you will see a program feed from the 2024 MAC Basketball Tournament. This was a multi-camera shoot with 5 manned cameras, as well as 4 robotic cameras. As you watch this clip, notice how the director uses the different cameras to help tell a story and show
Camera 1 - Game Follow Wide shot that will keep between 25% and 50% of the field in frame. A wide shot that will provide general coverage of the gameplay. Camera 2 - Tight Follow Tight head-to-toe shot of the player with the ball and 1-2 closest defenders. Will follow the player at fault
Game/Tight Side by Side Game/Tight Split Camera 1 - Game Follow Wide coverage of the game play. Typically starts wide enough to see all players on the line of scrimmage, then will push in to the action as it develops. Never should go close enough to be considered a close up. Typically wide enough
